504b8ede4ab6c4c806bf377133c2aa66fd73058c
[libav.git] / doc / avconv.texi
1 \input texinfo @c -*- texinfo -*-
2
3 @settitle avconv Documentation
4 @titlepage
5 @center @titlefont{avconv Documentation}
6 @end titlepage
7
8 @top
9
10 @contents
11
12 @chapter Synopsis
13
14 The generic syntax is:
15
16 @example
17 @c man begin SYNOPSIS
18 avconv [global options] [[infile options][@option{-i} @var{infile}]]... @{[outfile options] @var{outfile}@}...
19 @c man end
20 @end example
21
22 @chapter Description
23 @c man begin DESCRIPTION
24
25 avconv is a very fast video and audio converter that can also grab from
26 a live audio/video source. It can also convert between arbitrary sample
27 rates and resize video on the fly with a high quality polyphase filter.
28
29 avconv reads from an arbitrary number of input "files" (which can be regular
30 files, pipes, network streams, grabbing devices, etc.), specified by the
31 @code{-i} option, and writes to an arbitrary number of output "files", which are
32 specified by a plain output filename. Anything found on the command line which
33 cannot be interpreted as an option is considered to be an output filename.
34
35 Each input or output file can in principle contain any number of streams of
36 different types (video/audio/subtitle/attachment/data). Allowed number and/or
37 types of streams can be limited by the container format. Selecting, which
38 streams from which inputs go into output, is done either automatically or with
39 the @code{-map} option (see the Stream selection chapter).
40
41 To refer to input files in options, you must use their indices (0-based). E.g.
42 the first input file is @code{0}, the second is @code{1} etc. Similarly, streams
43 within a file are referred to by their indices. E.g. @code{2:3} refers to the
44 fourth stream in the third input file. See also the Stream specifiers chapter.
45
46 As a general rule, options are applied to the next specified
47 file. Therefore, order is important, and you can have the same
48 option on the command line multiple times. Each occurrence is
49 then applied to the next input or output file.
50 Exceptions from this rule are the global options (e.g. verbosity level),
51 which should be specified first.
52
53 Do not mix input and output files -- first specify all input files, then all
54 output files. Also do not mix options which belong to different files. All
55 options apply ONLY to the next input or output file and are reset between files.
56
57 @itemize
58 @item
59 To set the video bitrate of the output file to 64kbit/s:
60 @example
61 avconv -i input.avi -b 64k output.avi
62 @end example
63
64 @item
65 To force the frame rate of the output file to 24 fps:
66 @example
67 avconv -i input.avi -r 24 output.avi
68 @end example
69
70 @item
71 To force the frame rate of the input file (valid for raw formats only)
72 to 1 fps and the frame rate of the output file to 24 fps:
73 @example
74 avconv -r 1 -i input.m2v -r 24 output.avi
75 @end example
76 @end itemize
77
78 The format option may be needed for raw input files.
79
80 @c man end DESCRIPTION
81
82 @chapter Detailed description
83 @c man begin DETAILED DESCRIPTION
84
85 The transcoding process in @command{avconv} for each output can be described by
86 the following diagram:
87
88 @example
89 _______ ______________
90 | | | |
91 | input | demuxer | encoded data | decoder
92 | file | ---------> | packets | -----+
93 |_______| |______________| |
94 v
95 _________
96 | |
97 | decoded |
98 | frames |
99 |_________|
100 ________ ______________ |
101 | | | | |
102 | output | <-------- | encoded data | <----+
103 | file | muxer | packets | encoder
104 |________| |______________|
105
106
107 @end example
108
109 @command{avconv} calls the libavformat library (containing demuxers) to read
110 input files and get packets containing encoded data from them. When there are
111 multiple input files, @command{avconv} tries to keep them synchronized by
112 tracking lowest timestamp on any active input stream.
113
114 Encoded packets are then passed to the decoder (unless streamcopy is selected
115 for the stream, see further for a description). The decoder produces
116 uncompressed frames (raw video/PCM audio/...) which can be processed further by
117 filtering (see next section). After filtering the frames are passed to the
118 encoder, which encodes them and outputs encoded packets again. Finally those are
119 passed to the muxer, which writes the encoded packets to the output file.
120
121 @section Filtering
122 Before encoding, @command{avconv} can process raw audio and video frames using
123 filters from the libavfilter library. Several chained filters form a filter
124 graph. @command{avconv} distinguishes between two types of filtergraphs -
125 simple and complex.
126
127 @subsection Simple filtergraphs
128 Simple filtergraphs are those that have exactly one input and output, both of
129 the same type. In the above diagram they can be represented by simply inserting
130 an additional step between decoding and encoding:
131
132 @example
133 _________ ______________
134 | | | |
135 | decoded | | encoded data |
136 | frames |\ /| packets |
137 |_________| \ / |______________|
138 \ __________ /
139 simple \ | | / encoder
140 filtergraph \| filtered |/
141 | frames |
142 |__________|
143
144 @end example
145
146 Simple filtergraphs are configured with the per-stream @option{-filter} option
147 (with @option{-vf} and @option{-af} aliases for video and audio respectively).
148 A simple filtergraph for video can look for example like this:
149
150 @example
151 _______ _____________ _______ ________
152 | | | | | | | |
153 | input | ---> | deinterlace | ---> | scale | ---> | output |
154 |_______| |_____________| |_______| |________|
155
156 @end example
157
158 Note that some filters change frame properties but not frame contents. E.g. the
159 @code{fps} filter in the example above changes number of frames, but does not
160 touch the frame contents. Another example is the @code{setpts} filter, which
161 only sets timestamps and otherwise passes the frames unchanged.
162
163 @subsection Complex filtergraphs
164 Complex filtergraphs are those which cannot be described as simply a linear
165 processing chain applied to one stream. This is the case e.g. when the graph has
166 more than one input and/or output, or when output stream type is different from
167 input. They can be represented with the following diagram:
168
169 @example
170 _________
171 | |
172 | input 0 |\ __________
173 |_________| \ | |
174 \ _________ /| output 0 |
175 \ | | / |__________|
176 _________ \| complex | /
177 | | | |/
178 | input 1 |---->| filter |\
179 |_________| | | \ __________
180 /| graph | \ | |
181 / | | \| output 1 |
182 _________ / |_________| |__________|
183 | | /
184 | input 2 |/
185 |_________|
186
187 @end example
188
189 Complex filtergraphs are configured with the @option{-filter_complex} option.
190 Note that this option is global, since a complex filtergraph by its nature
191 cannot be unambiguously associated with a single stream or file.
192
193 A trivial example of a complex filtergraph is the @code{overlay} filter, which
194 has two video inputs and one video output, containing one video overlaid on top
195 of the other. Its audio counterpart is the @code{amix} filter.
196
197 @section Stream copy
198 Stream copy is a mode selected by supplying the @code{copy} parameter to the
199 @option{-codec} option. It makes @command{avconv} omit the decoding and encoding
200 step for the specified stream, so it does only demuxing and muxing. It is useful
201 for changing the container format or modifying container-level metadata. The
202 diagram above will in this case simplify to this:
203
204 @example
205 _______ ______________ ________
206 | | | | | |
207 | input | demuxer | encoded data | muxer | output |
208 | file | ---------> | packets | -------> | file |
209 |_______| |______________| |________|
210
211 @end example
212
213 Since there is no decoding or encoding, it is very fast and there is no quality
214 loss. However it might not work in some cases because of many factors. Applying
215 filters is obviously also impossible, since filters work on uncompressed data.
216
217 @c man end DETAILED DESCRIPTION
218
219 @chapter Stream selection
220 @c man begin STREAM SELECTION
221
222 By default avconv tries to pick the "best" stream of each type present in input
223 files and add them to each output file. For video, this means the highest
224 resolution, for audio the highest channel count. For subtitle it's simply the
225 first subtitle stream.
226
227 You can disable some of those defaults by using @code{-vn/-an/-sn} options. For
228 full manual control, use the @code{-map} option, which disables the defaults just
229 described.
230
231 @c man end STREAM SELECTION
232
233 @chapter Options
234 @c man begin OPTIONS
235
236 @include avtools-common-opts.texi
237
238 @section Main options
239
240 @table @option
241
242 @item -f @var{fmt} (@emph{input/output})
243 Force input or output file format. The format is normally autodetected for input
244 files and guessed from file extension for output files, so this option is not
245 needed in most cases.
246
247 @item -i @var{filename} (@emph{input})
248 input file name
249
250 @item -y (@emph{global})
251 Overwrite output files without asking.
252
253 @item -n (@emph{global})
254 Immediately exit when output files already exist.
255
256 @item -c[:@var{stream_specifier}] @var{codec} (@emph{input/output,per-stream})
257 @itemx -codec[:@var{stream_specifier}] @var{codec} (@emph{input/output,per-stream})
258 Select an encoder (when used before an output file) or a decoder (when used
259 before an input file) for one or more streams. @var{codec} is the name of a
260 decoder/encoder or a special value @code{copy} (output only) to indicate that
261 the stream is not to be reencoded.
262
263 For example
264 @example
265 avconv -i INPUT -map 0 -c:v libx264 -c:a copy OUTPUT
266 @end example
267 encodes all video streams with libx264 and copies all audio streams.
268
269 For each stream, the last matching @code{c} option is applied, so
270 @example
271 avconv -i INPUT -map 0 -c copy -c:v:1 libx264 -c:a:137 libvorbis OUTPUT
272 @end example
273 will copy all the streams except the second video, which will be encoded with
274 libx264, and the 138th audio, which will be encoded with libvorbis.
275
276 @item -t @var{duration} (@emph{output})
277 Stop writing the output after its duration reaches @var{duration}.
278 @var{duration} may be a number in seconds, or in @code{hh:mm:ss[.xxx]} form.
279
280 @item -fs @var{limit_size} (@emph{output})
281 Set the file size limit.
282
283 @item -ss @var{position} (@emph{input/output})
284 When used as an input option (before @code{-i}), seeks in this input file to
285 @var{position}. Note the in most formats it is not possible to seek exactly, so
286 @command{avconv} will seek to the closest seek point before @var{position}.
287 When transcoding and @option{-accurate_seek} is enabled (the default), this
288 extra segment between the seek point and @var{position} will be decoded and
289 discarded. When doing stream copy or when @option{-noaccurate_seek} is used, it
290 will be preserved.
291
292 When used as an output option (before an output filename), decodes but discards
293 input until the timestamps reach @var{position}.
294
295 @var{position} may be either in seconds or in @code{hh:mm:ss[.xxx]} form.
296
297 @item -itsoffset @var{offset} (@emph{input})
298 Set the input time offset in seconds.
299 @code{[-]hh:mm:ss[.xxx]} syntax is also supported.
300 The offset is added to the timestamps of the input files.
301 Specifying a positive offset means that the corresponding
302 streams are delayed by @var{offset} seconds.
303
304 @item -metadata[:metadata_specifier] @var{key}=@var{value} (@emph{output,per-metadata})
305 Set a metadata key/value pair.
306
307 An optional @var{metadata_specifier} may be given to set metadata
308 on streams or chapters. See @code{-map_metadata} documentation for
309 details.
310
311 This option overrides metadata set with @code{-map_metadata}. It is
312 also possible to delete metadata by using an empty value.
313
314 For example, for setting the title in the output file:
315 @example
316 avconv -i in.avi -metadata title="my title" out.flv
317 @end example
318
319 To set the language of the first audio stream:
320 @example
321 avconv -i INPUT -metadata:s:a:0 language=eng OUTPUT
322 @end example
323
324 @item -target @var{type} (@emph{output})
325 Specify target file type (@code{vcd}, @code{svcd}, @code{dvd}, @code{dv},
326 @code{dv50}). @var{type} may be prefixed with @code{pal-}, @code{ntsc-} or
327 @code{film-} to use the corresponding standard. All the format options
328 (bitrate, codecs, buffer sizes) are then set automatically. You can just type:
329
330 @example
331 avconv -i myfile.avi -target vcd /tmp/vcd.mpg
332 @end example
333
334 Nevertheless you can specify additional options as long as you know
335 they do not conflict with the standard, as in:
336
337 @example
338 avconv -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg
339 @end example
340
341 @item -dframes @var{number} (@emph{output})
342 Set the number of data frames to record. This is an alias for @code{-frames:d}.
343
344 @item -frames[:@var{stream_specifier}] @var{framecount} (@emph{output,per-stream})
345 Stop writing to the stream after @var{framecount} frames.
346
347 @item -q[:@var{stream_specifier}] @var{q} (@emph{output,per-stream})
348 @itemx -qscale[:@var{stream_specifier}] @var{q} (@emph{output,per-stream})
349 Use fixed quality scale (VBR). The meaning of @var{q} is
350 codec-dependent.
351
352 @item -filter[:@var{stream_specifier}] @var{filter_graph} (@emph{output,per-stream})
353 @var{filter_graph} is a description of the filter graph to apply to
354 the stream. Use @code{-filters} to show all the available filters
355 (including also sources and sinks).
356
357 See also the @option{-filter_complex} option if you want to create filter graphs
358 with multiple inputs and/or outputs.
359
360 @item -filter_script[:@var{stream_specifier}] @var{filename} (@emph{output,per-stream})
361 This option is similar to @option{-filter}, the only difference is that its
362 argument is the name of the file from which a filtergraph description is to be
363 read.
364
365 @item -pre[:@var{stream_specifier}] @var{preset_name} (@emph{output,per-stream})
366 Specify the preset for matching stream(s).
367
368 @item -stats (@emph{global})
369 Print encoding progress/statistics. On by default.
370
371 @item -attach @var{filename} (@emph{output})
372 Add an attachment to the output file. This is supported by a few formats
373 like Matroska for e.g. fonts used in rendering subtitles. Attachments
374 are implemented as a specific type of stream, so this option will add
375 a new stream to the file. It is then possible to use per-stream options
376 on this stream in the usual way. Attachment streams created with this
377 option will be created after all the other streams (i.e. those created
378 with @code{-map} or automatic mappings).
379
380 Note that for Matroska you also have to set the mimetype metadata tag:
381 @example
382 avconv -i INPUT -attach DejaVuSans.ttf -metadata:s:2 mimetype=application/x-truetype-font out.mkv
383 @end example
384 (assuming that the attachment stream will be third in the output file).
385
386 @item -dump_attachment[:@var{stream_specifier}] @var{filename} (@emph{input,per-stream})
387 Extract the matching attachment stream into a file named @var{filename}. If
388 @var{filename} is empty, then the value of the @code{filename} metadata tag
389 will be used.
390
391 E.g. to extract the first attachment to a file named 'out.ttf':
392 @example
393 avconv -dump_attachment:t:0 out.ttf INPUT
394 @end example
395 To extract all attachments to files determined by the @code{filename} tag:
396 @example
397 avconv -dump_attachment:t "" INPUT
398 @end example
399
400 Technical note -- attachments are implemented as codec extradata, so this
401 option can actually be used to extract extradata from any stream, not just
402 attachments.
403
404 @item -noautorotate
405 Disable automatically rotating video based on file metadata.
406
407 @end table
408
409 @section Video Options
410
411 @table @option
412 @item -vframes @var{number} (@emph{output})
413 Set the number of video frames to record. This is an alias for @code{-frames:v}.
414 @item -r[:@var{stream_specifier}] @var{fps} (@emph{input/output,per-stream})
415 Set frame rate (Hz value, fraction or abbreviation).
416
417 As an input option, ignore any timestamps stored in the file and instead
418 generate timestamps assuming constant frame rate @var{fps}.
419
420 As an output option, duplicate or drop input frames to achieve constant output
421 frame rate @var{fps} (note that this actually causes the @code{fps} filter to be
422 inserted to the end of the corresponding filtergraph).
423
424 @item -s[:@var{stream_specifier}] @var{size} (@emph{input/output,per-stream})
425 Set frame size.
426
427 As an input option, this is a shortcut for the @option{video_size} private
428 option, recognized by some demuxers for which the frame size is either not
429 stored in the file or is configurable -- e.g. raw video or video grabbers.
430
431 As an output option, this inserts the @code{scale} video filter to the
432 @emph{end} of the corresponding filtergraph. Please use the @code{scale} filter
433 directly to insert it at the beginning or some other place.
434
435 The format is @samp{wxh} (default - same as source). The following
436 abbreviations are recognized:
437 @table @samp
438 @item sqcif
439 128x96
440 @item qcif
441 176x144
442 @item cif
443 352x288
444 @item 4cif
445 704x576
446 @item 16cif
447 1408x1152
448 @item qqvga
449 160x120
450 @item qvga
451 320x240
452 @item vga
453 640x480
454 @item svga
455 800x600
456 @item xga
457 1024x768
458 @item uxga
459 1600x1200
460 @item qxga
461 2048x1536
462 @item sxga
463 1280x1024
464 @item qsxga
465 2560x2048
466 @item hsxga
467 5120x4096
468 @item wvga
469 852x480
470 @item wxga
471 1366x768
472 @item wsxga
473 1600x1024
474 @item wuxga
475 1920x1200
476 @item woxga
477 2560x1600
478 @item wqsxga
479 3200x2048
480 @item wquxga
481 3840x2400
482 @item whsxga
483 6400x4096
484 @item whuxga
485 7680x4800
486 @item cga
487 320x200
488 @item ega
489 640x350
490 @item hd480
491 852x480
492 @item hd720
493 1280x720
494 @item hd1080
495 1920x1080
496 @item 2kdci
497 2048x1080
498 @item 4kdci
499 4096x2160
500 @item uhd2160
501 3840x2160
502 @item uhd4320
503 7680x4320
504 @end table
505
506 @item -aspect[:@var{stream_specifier}] @var{aspect} (@emph{output,per-stream})
507 Set the video display aspect ratio specified by @var{aspect}.
508
509 @var{aspect} can be a floating point number string, or a string of the
510 form @var{num}:@var{den}, where @var{num} and @var{den} are the
511 numerator and denominator of the aspect ratio. For example "4:3",
512 "16:9", "1.3333", and "1.7777" are valid argument values.
513
514 @item -vn (@emph{output})
515 Disable video recording.
516
517 @item -vcodec @var{codec} (@emph{output})
518 Set the video codec. This is an alias for @code{-codec:v}.
519
520 @item -pass[:@var{stream_specifier}] @var{n} (@emph{output,per-stream})
521 Select the pass number (1 or 2). It is used to do two-pass
522 video encoding. The statistics of the video are recorded in the first
523 pass into a log file (see also the option -passlogfile),
524 and in the second pass that log file is used to generate the video
525 at the exact requested bitrate.
526 On pass 1, you may just deactivate audio and set output to null,
527 examples for Windows and Unix:
528 @example
529 avconv -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y NUL
530 avconv -i foo.mov -c:v libxvid -pass 1 -an -f rawvideo -y /dev/null
531 @end example
532
533 @item -passlogfile[:@var{stream_specifier}] @var{prefix} (@emph{output,per-stream})
534 Set two-pass log file name prefix to @var{prefix}, the default file name
535 prefix is ``av2pass''. The complete file name will be
536 @file{PREFIX-N.log}, where N is a number specific to the output
537 stream.
538
539 @item -vf @var{filter_graph} (@emph{output})
540 @var{filter_graph} is a description of the filter graph to apply to
541 the input video.
542 Use the option "-filters" to show all the available filters (including
543 also sources and sinks). This is an alias for @code{-filter:v}.
544
545 @end table
546
547 @section Advanced Video Options
548
549 @table @option
550 @item -pix_fmt[:@var{stream_specifier}] @var{format} (@emph{input/output,per-stream})
551 Set pixel format. Use @code{-pix_fmts} to show all the supported
552 pixel formats.
553 @item -sws_flags @var{flags} (@emph{input/output})
554 Set SwScaler flags.
555 @item -vdt @var{n}
556 Discard threshold.
557
558 @item -rc_override[:@var{stream_specifier}] @var{override} (@emph{output,per-stream})
559 rate control override for specific intervals
560
561 @item -vstats
562 Dump video coding statistics to @file{vstats_HHMMSS.log}.
563 @item -vstats_file @var{file}
564 Dump video coding statistics to @var{file}.
565 @item -top[:@var{stream_specifier}] @var{n} (@emph{output,per-stream})
566 top=1/bottom=0/auto=-1 field first
567 @item -dc @var{precision}
568 Intra_dc_precision.
569 @item -vtag @var{fourcc/tag} (@emph{output})
570 Force video tag/fourcc. This is an alias for @code{-tag:v}.
571 @item -qphist (@emph{global})
572 Show QP histogram.
573 @item -force_key_frames[:@var{stream_specifier}] @var{time}[,@var{time}...] (@emph{output,per-stream})
574 Force key frames at the specified timestamps, more precisely at the first
575 frames after each specified time.
576 This option can be useful to ensure that a seek point is present at a
577 chapter mark or any other designated place in the output file.
578 The timestamps must be specified in ascending order.
579
580 @item -copyinkf[:@var{stream_specifier}] (@emph{output,per-stream})
581 When doing stream copy, copy also non-key frames found at the
582 beginning.
583
584 @item -hwaccel[:@var{stream_specifier}] @var{hwaccel} (@emph{input,per-stream})
585 Use hardware acceleration to decode the matching stream(s). The allowed values
586 of @var{hwaccel} are:
587 @table @option
588 @item none
589 Do not use any hardware acceleration (the default).
590
591 @item auto
592 Automatically select the hardware acceleration method.
593
594 @item vda
595 Use Apple VDA hardware acceleration.
596
597 @item vdpau
598 Use VDPAU (Video Decode and Presentation API for Unix) hardware acceleration.
599
600 @item dxva2
601 Use DXVA2 (DirectX Video Acceleration) hardware acceleration.
602 @end table
603
604 This option has no effect if the selected hwaccel is not available or not
605 supported by the chosen decoder.
606
607 Note that most acceleration methods are intended for playback and will not be
608 faster than software decoding on modern CPUs. Additionally, @command{avconv}
609 will usually need to copy the decoded frames from the GPU memory into the system
610 memory, resulting in further performance loss. This option is thus mainly
611 useful for testing.
612
613 @item -hwaccel_device[:@var{stream_specifier}] @var{hwaccel_device} (@emph{input,per-stream})
614 Select a device to use for hardware acceleration.
615
616 This option only makes sense when the @option{-hwaccel} option is also
617 specified. Its exact meaning depends on the specific hardware acceleration
618 method chosen.
619
620 @table @option
621 @item vdpau
622 For VDPAU, this option specifies the X11 display/screen to use. If this option
623 is not specified, the value of the @var{DISPLAY} environment variable is used
624
625 @item dxva2
626 For DXVA2, this option should contain the number of the display adapter to use.
627 If this option is not specified, the default adapter is used.
628 @end table
629 @end table
630
631 @section Audio Options
632
633 @table @option
634 @item -aframes @var{number} (@emph{output})
635 Set the number of audio frames to record. This is an alias for @code{-frames:a}.
636 @item -ar[:@var{stream_specifier}] @var{freq} (@emph{input/output,per-stream})
637 Set the audio sampling frequency. For output streams it is set by
638 default to the frequency of the corresponding input stream. For input
639 streams this option only makes sense for audio grabbing devices and raw
640 demuxers and is mapped to the corresponding demuxer options.
641 @item -aq @var{q} (@emph{output})
642 Set the audio quality (codec-specific, VBR). This is an alias for -q:a.
643 @item -ac[:@var{stream_specifier}] @var{channels} (@emph{input/output,per-stream})
644 Set the number of audio channels. For output streams it is set by
645 default to the number of input audio channels. For input streams
646 this option only makes sense for audio grabbing devices and raw demuxers
647 and is mapped to the corresponding demuxer options.
648 @item -an (@emph{output})
649 Disable audio recording.
650 @item -acodec @var{codec} (@emph{input/output})
651 Set the audio codec. This is an alias for @code{-codec:a}.
652 @item -sample_fmt[:@var{stream_specifier}] @var{sample_fmt} (@emph{output,per-stream})
653 Set the audio sample format. Use @code{-sample_fmts} to get a list
654 of supported sample formats.
655 @item -af @var{filter_graph} (@emph{output})
656 @var{filter_graph} is a description of the filter graph to apply to
657 the input audio.
658 Use the option "-filters" to show all the available filters (including
659 also sources and sinks). This is an alias for @code{-filter:a}.
660 @end table
661
662 @section Advanced Audio options:
663
664 @table @option
665 @item -atag @var{fourcc/tag} (@emph{output})
666 Force audio tag/fourcc. This is an alias for @code{-tag:a}.
667 @end table
668
669 @section Subtitle options:
670
671 @table @option
672 @item -scodec @var{codec} (@emph{input/output})
673 Set the subtitle codec. This is an alias for @code{-codec:s}.
674 @item -sn (@emph{output})
675 Disable subtitle recording.
676 @end table
677
678 @section Advanced options
679
680 @table @option
681 @item -map [-]@var{input_file_id}[:@var{stream_specifier}][,@var{sync_file_id}[:@var{stream_specifier}]] | @var{[linklabel]} (@emph{output})
682
683 Designate one or more input streams as a source for the output file. Each input
684 stream is identified by the input file index @var{input_file_id} and
685 the input stream index @var{input_stream_id} within the input
686 file. Both indices start at 0. If specified,
687 @var{sync_file_id}:@var{stream_specifier} sets which input stream
688 is used as a presentation sync reference.
689
690 The first @code{-map} option on the command line specifies the
691 source for output stream 0, the second @code{-map} option specifies
692 the source for output stream 1, etc.
693
694 A @code{-} character before the stream identifier creates a "negative" mapping.
695 It disables matching streams from already created mappings.
696
697 An alternative @var{[linklabel]} form will map outputs from complex filter
698 graphs (see the @option{-filter_complex} option) to the output file.
699 @var{linklabel} must correspond to a defined output link label in the graph.
700
701 For example, to map ALL streams from the first input file to output
702 @example
703 avconv -i INPUT -map 0 output
704 @end example
705
706 For example, if you have two audio streams in the first input file,
707 these streams are identified by "0:0" and "0:1". You can use
708 @code{-map} to select which streams to place in an output file. For
709 example:
710 @example
711 avconv -i INPUT -map 0:1 out.wav
712 @end example
713 will map the input stream in @file{INPUT} identified by "0:1" to
714 the (single) output stream in @file{out.wav}.
715
716 For example, to select the stream with index 2 from input file
717 @file{a.mov} (specified by the identifier "0:2"), and stream with
718 index 6 from input @file{b.mov} (specified by the identifier "1:6"),
719 and copy them to the output file @file{out.mov}:
720 @example
721 avconv -i a.mov -i b.mov -c copy -map 0:2 -map 1:6 out.mov
722 @end example
723
724 To select all video and the third audio stream from an input file:
725 @example
726 avconv -i INPUT -map 0:v -map 0:a:2 OUTPUT
727 @end example
728
729 To map all the streams except the second audio, use negative mappings
730 @example
731 avconv -i INPUT -map 0 -map -0:a:1 OUTPUT
732 @end example
733
734 To pick the English audio stream:
735 @example
736 avconv -i INPUT -map 0:m:language:eng OUTPUT
737 @end example
738
739 Note that using this option disables the default mappings for this output file.
740
741 @item -map_metadata[:@var{metadata_spec_out}] @var{infile}[:@var{metadata_spec_in}] (@emph{output,per-metadata})
742 Set metadata information of the next output file from @var{infile}. Note that
743 those are file indices (zero-based), not filenames.
744 Optional @var{metadata_spec_in/out} parameters specify, which metadata to copy.
745 A metadata specifier can have the following forms:
746 @table @option
747 @item @var{g}
748 global metadata, i.e. metadata that applies to the whole file
749
750 @item @var{s}[:@var{stream_spec}]
751 per-stream metadata. @var{stream_spec} is a stream specifier as described
752 in the @ref{Stream specifiers} chapter. In an input metadata specifier, the first
753 matching stream is copied from. In an output metadata specifier, all matching
754 streams are copied to.
755
756 @item @var{c}:@var{chapter_index}
757 per-chapter metadata. @var{chapter_index} is the zero-based chapter index.
758
759 @item @var{p}:@var{program_index}
760 per-program metadata. @var{program_index} is the zero-based program index.
761 @end table
762 If metadata specifier is omitted, it defaults to global.
763
764 By default, global metadata is copied from the first input file,
765 per-stream and per-chapter metadata is copied along with streams/chapters. These
766 default mappings are disabled by creating any mapping of the relevant type. A negative
767 file index can be used to create a dummy mapping that just disables automatic copying.
768
769 For example to copy metadata from the first stream of the input file to global metadata
770 of the output file:
771 @example
772 avconv -i in.ogg -map_metadata 0:s:0 out.mp3
773 @end example
774
775 To do the reverse, i.e. copy global metadata to all audio streams:
776 @example
777 avconv -i in.mkv -map_metadata:s:a 0:g out.mkv
778 @end example
779 Note that simple @code{0} would work as well in this example, since global
780 metadata is assumed by default.
781
782 @item -map_chapters @var{input_file_index} (@emph{output})
783 Copy chapters from input file with index @var{input_file_index} to the next
784 output file. If no chapter mapping is specified, then chapters are copied from
785 the first input file with at least one chapter. Use a negative file index to
786 disable any chapter copying.
787 @item -debug
788 Print specific debug info.
789 @item -benchmark (@emph{global})
790 Show benchmarking information at the end of an encode.
791 Shows CPU time used and maximum memory consumption.
792 Maximum memory consumption is not supported on all systems,
793 it will usually display as 0 if not supported.
794 @item -timelimit @var{duration} (@emph{global})
795 Exit after avconv has been running for @var{duration} seconds.
796 @item -dump (@emph{global})
797 Dump each input packet to stderr.
798 @item -hex (@emph{global})
799 When dumping packets, also dump the payload.
800 @item -re (@emph{input})
801 Read input at native frame rate. Mainly used to simulate a grab device
802 or live input stream (e.g. when reading from a file). Should not be used
803 with actual grab devices or live input streams (where it can cause packet
804 loss).
805 @item -vsync @var{parameter}
806 Video sync method.
807
808 @table @option
809 @item passthrough
810 Each frame is passed with its timestamp from the demuxer to the muxer.
811 @item cfr
812 Frames will be duplicated and dropped to achieve exactly the requested
813 constant framerate.
814 @item vfr
815 Frames are passed through with their timestamp or dropped so as to
816 prevent 2 frames from having the same timestamp.
817 @item auto
818 Chooses between 1 and 2 depending on muxer capabilities. This is the
819 default method.
820 @end table
821
822 With -map you can select from which stream the timestamps should be
823 taken. You can leave either video or audio unchanged and sync the
824 remaining stream(s) to the unchanged one.
825
826 @item -async @var{samples_per_second}
827 Audio sync method. "Stretches/squeezes" the audio stream to match the timestamps,
828 the parameter is the maximum samples per second by which the audio is changed.
829 -async 1 is a special case where only the start of the audio stream is corrected
830 without any later correction.
831 This option has been deprecated. Use the @code{asyncts} audio filter instead.
832 @item -copyts
833 Copy timestamps from input to output.
834 @item -copytb
835 Copy input stream time base from input to output when stream copying.
836 @item -shortest (@emph{output})
837 Finish encoding when the shortest input stream ends.
838 @item -dts_delta_threshold
839 Timestamp discontinuity delta threshold.
840 @item -muxdelay @var{seconds} (@emph{input})
841 Set the maximum demux-decode delay.
842 @item -muxpreload @var{seconds} (@emph{input})
843 Set the initial demux-decode delay.
844 @item -streamid @var{output-stream-index}:@var{new-value} (@emph{output})
845 Assign a new stream-id value to an output stream. This option should be
846 specified prior to the output filename to which it applies.
847 For the situation where multiple output files exist, a streamid
848 may be reassigned to a different value.
849
850 For example, to set the stream 0 PID to 33 and the stream 1 PID to 36 for
851 an output mpegts file:
852 @example
853 avconv -i infile -streamid 0:33 -streamid 1:36 out.ts
854 @end example
855
856 @item -bsf[:@var{stream_specifier}] @var{bitstream_filters} (@emph{output,per-stream})
857 Set bitstream filters for matching streams. @var{bistream_filters} is
858 a comma-separated list of bitstream filters. Use the @code{-bsfs} option
859 to get the list of bitstream filters.
860 @example
861 avconv -i h264.mp4 -c:v copy -bsf:v h264_mp4toannexb -an out.h264
862 @end example
863 @example
864 avconv -i file.mov -an -vn -bsf:s mov2textsub -c:s copy -f rawvideo sub.txt
865 @end example
866
867 @item -tag[:@var{stream_specifier}] @var{codec_tag} (@emph{input/output,per-stream})
868 Force a tag/fourcc for matching streams.
869
870 @item -filter_complex @var{filtergraph} (@emph{global})
871 Define a complex filter graph, i.e. one with arbitrary number of inputs and/or
872 outputs. For simple graphs -- those with one input and one output of the same
873 type -- see the @option{-filter} options. @var{filtergraph} is a description of
874 the filter graph, as described in @ref{Filtergraph syntax}.
875
876 Input link labels must refer to input streams using the
877 @code{[file_index:stream_specifier]} syntax (i.e. the same as @option{-map}
878 uses). If @var{stream_specifier} matches multiple streams, the first one will be
879 used. An unlabeled input will be connected to the first unused input stream of
880 the matching type.
881
882 Output link labels are referred to with @option{-map}. Unlabeled outputs are
883 added to the first output file.
884
885 Note that with this option it is possible to use only lavfi sources without
886 normal input files.
887
888 For example, to overlay an image over video
889 @example
890 avconv -i video.mkv -i image.png -filter_complex '[0:v][1:v]overlay[out]' -map
891 '[out]' out.mkv
892 @end example
893 Here @code{[0:v]} refers to the first video stream in the first input file,
894 which is linked to the first (main) input of the overlay filter. Similarly the
895 first video stream in the second input is linked to the second (overlay) input
896 of overlay.
897
898 Assuming there is only one video stream in each input file, we can omit input
899 labels, so the above is equivalent to
900 @example
901 avconv -i video.mkv -i image.png -filter_complex 'overlay[out]' -map
902 '[out]' out.mkv
903 @end example
904
905 Furthermore we can omit the output label and the single output from the filter
906 graph will be added to the output file automatically, so we can simply write
907 @example
908 avconv -i video.mkv -i image.png -filter_complex 'overlay' out.mkv
909 @end example
910
911 To generate 5 seconds of pure red video using lavfi @code{color} source:
912 @example
913 avconv -filter_complex 'color=red' -t 5 out.mkv
914 @end example
915
916 @item -filter_complex_script @var{filename} (@emph{global})
917 This option is similar to @option{-filter_complex}, the only difference is that
918 its argument is the name of the file from which a complex filtergraph
919 description is to be read.
920
921 @item -accurate_seek (@emph{input})
922 This option enables or disables accurate seeking in input files with the
923 @option{-ss} option. It is enabled by default, so seeking is accurate when
924 transcoding. Use @option{-noaccurate_seek} to disable it, which may be useful
925 e.g. when copying some streams and transcoding the others.
926
927 @end table
928 @c man end OPTIONS
929
930 @chapter Tips
931 @c man begin TIPS
932
933 @itemize
934 @item
935 For streaming at very low bitrate application, use a low frame rate
936 and a small GOP size. This is especially true for RealVideo where
937 the Linux player does not seem to be very fast, so it can miss
938 frames. An example is:
939
940 @example
941 avconv -g 3 -r 3 -t 10 -b 50k -s qcif -f rv10 /tmp/b.rm
942 @end example
943
944 @item
945 The parameter 'q' which is displayed while encoding is the current
946 quantizer. The value 1 indicates that a very good quality could
947 be achieved. The value 31 indicates the worst quality. If q=31 appears
948 too often, it means that the encoder cannot compress enough to meet
949 your bitrate. You must either increase the bitrate, decrease the
950 frame rate or decrease the frame size.
951
952 @item
953 If your computer is not fast enough, you can speed up the
954 compression at the expense of the compression ratio. You can use
955 '-me zero' to speed up motion estimation, and '-g 0' to disable
956 motion estimation completely (you have only I-frames, which means it
957 is about as good as JPEG compression).
958
959 @item
960 To have very low audio bitrates, reduce the sampling frequency
961 (down to 22050 Hz for MPEG audio, 22050 or 11025 for AC-3).
962
963 @item
964 To have a constant quality (but a variable bitrate), use the option
965 '-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst
966 quality).
967
968 @end itemize
969 @c man end TIPS
970
971 @chapter Examples
972 @c man begin EXAMPLES
973
974 @section Preset files
975
976 A preset file contains a sequence of @var{option=value} pairs, one for
977 each line, specifying a sequence of options which can be specified also on
978 the command line. Lines starting with the hash ('#') character are ignored and
979 are used to provide comments. Empty lines are also ignored. Check the
980 @file{presets} directory in the Libav source tree for examples.
981
982 Preset files are specified with the @code{pre} option, this option takes a
983 preset name as input. Avconv searches for a file named @var{preset_name}.avpreset in
984 the directories @file{$AVCONV_DATADIR} (if set), and @file{$HOME/.avconv}, and in
985 the data directory defined at configuration time (usually @file{$PREFIX/share/avconv})
986 in that order. For example, if the argument is @code{libx264-max}, it will
987 search for the file @file{libx264-max.avpreset}.
988
989 @section Video and Audio grabbing
990
991 If you specify the input format and device then avconv can grab video
992 and audio directly.
993
994 @example
995 avconv -f oss -i /dev/dsp -f video4linux2 -i /dev/video0 /tmp/out.mpg
996 @end example
997
998 Note that you must activate the right video source and channel before
999 launching avconv with any TV viewer such as
1000 @uref{http://linux.bytesex.org/xawtv/, xawtv} by Gerd Knorr. You also
1001 have to set the audio recording levels correctly with a
1002 standard mixer.
1003
1004 @section X11 grabbing
1005
1006 Grab the X11 display with avconv via
1007
1008 @example
1009 avconv -f x11grab -s cif -r 25 -i :0.0 /tmp/out.mpg
1010 @end example
1011
1012 0.0 is display.screen number of your X11 server, same as
1013 the DISPLAY environment variable.
1014
1015 @example
1016 avconv -f x11grab -s cif -r 25 -i :0.0+10,20 /tmp/out.mpg
1017 @end example
1018
1019 0.0 is display.screen number of your X11 server, same as the DISPLAY environment
1020 variable. 10 is the x-offset and 20 the y-offset for the grabbing.
1021
1022 @section Video and Audio file format conversion
1023
1024 Any supported file format and protocol can serve as input to avconv:
1025
1026 Examples:
1027 @itemize
1028 @item
1029 You can use YUV files as input:
1030
1031 @example
1032 avconv -i /tmp/test%d.Y /tmp/out.mpg
1033 @end example
1034
1035 It will use the files:
1036 @example
1037 /tmp/test0.Y, /tmp/test0.U, /tmp/test0.V,
1038 /tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc...
1039 @end example
1040
1041 The Y files use twice the resolution of the U and V files. They are
1042 raw files, without header. They can be generated by all decent video
1043 decoders. You must specify the size of the image with the @option{-s} option
1044 if avconv cannot guess it.
1045
1046 @item
1047 You can input from a raw YUV420P file:
1048
1049 @example
1050 avconv -i /tmp/test.yuv /tmp/out.avi
1051 @end example
1052
1053 test.yuv is a file containing raw YUV planar data. Each frame is composed
1054 of the Y plane followed by the U and V planes at half vertical and
1055 horizontal resolution.
1056
1057 @item
1058 You can output to a raw YUV420P file:
1059
1060 @example
1061 avconv -i mydivx.avi hugefile.yuv
1062 @end example
1063
1064 @item
1065 You can set several input files and output files:
1066
1067 @example
1068 avconv -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg
1069 @end example
1070
1071 Converts the audio file a.wav and the raw YUV video file a.yuv
1072 to MPEG file a.mpg.
1073
1074 @item
1075 You can also do audio and video conversions at the same time:
1076
1077 @example
1078 avconv -i /tmp/a.wav -ar 22050 /tmp/a.mp2
1079 @end example
1080
1081 Converts a.wav to MPEG audio at 22050 Hz sample rate.
1082
1083 @item
1084 You can encode to several formats at the same time and define a
1085 mapping from input stream to output streams:
1086
1087 @example
1088 avconv -i /tmp/a.wav -map 0:a -b 64k /tmp/a.mp2 -map 0:a -b 128k /tmp/b.mp2
1089 @end example
1090
1091 Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map
1092 file:index' specifies which input stream is used for each output
1093 stream, in the order of the definition of output streams.
1094
1095 @item
1096 You can transcode decrypted VOBs:
1097
1098 @example
1099 avconv -i snatch_1.vob -f avi -c:v mpeg4 -b:v 800k -g 300 -bf 2 -c:a libmp3lame -b:a 128k snatch.avi
1100 @end example
1101
1102 This is a typical DVD ripping example; the input is a VOB file, the
1103 output an AVI file with MPEG-4 video and MP3 audio. Note that in this
1104 command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
1105 GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
1106 input video. Furthermore, the audio stream is MP3-encoded so you need
1107 to enable LAME support by passing @code{--enable-libmp3lame} to configure.
1108 The mapping is particularly useful for DVD transcoding
1109 to get the desired audio language.
1110
1111 NOTE: To see the supported input formats, use @code{avconv -formats}.
1112
1113 @item
1114 You can extract images from a video, or create a video from many images:
1115
1116 For extracting images from a video:
1117 @example
1118 avconv -i foo.avi -r 1 -s WxH -f image2 foo-%03d.jpeg
1119 @end example
1120
1121 This will extract one video frame per second from the video and will
1122 output them in files named @file{foo-001.jpeg}, @file{foo-002.jpeg},
1123 etc. Images will be rescaled to fit the new WxH values.
1124
1125 If you want to extract just a limited number of frames, you can use the
1126 above command in combination with the -vframes or -t option, or in
1127 combination with -ss to start extracting from a certain point in time.
1128
1129 For creating a video from many images:
1130 @example
1131 avconv -f image2 -i foo-%03d.jpeg -r 12 -s WxH foo.avi
1132 @end example
1133
1134 The syntax @code{foo-%03d.jpeg} specifies to use a decimal number
1135 composed of three digits padded with zeroes to express the sequence
1136 number. It is the same syntax supported by the C printf function, but
1137 only formats accepting a normal integer are suitable.
1138
1139 @item
1140 You can put many streams of the same type in the output:
1141
1142 @example
1143 avconv -i test1.avi -i test2.avi -map 1:1 -map 1:0 -map 0:1 -map 0:0 -c copy -y test12.nut
1144 @end example
1145
1146 The resulting output file @file{test12.nut} will contain the first four streams
1147 from the input files in reverse order.
1148
1149 @item
1150 To force CBR video output:
1151 @example
1152 avconv -i myfile.avi -b 4000k -minrate 4000k -maxrate 4000k -bufsize 1835k out.m2v
1153 @end example
1154
1155 @item
1156 The four options lmin, lmax, mblmin and mblmax use 'lambda' units,
1157 but you may use the QP2LAMBDA constant to easily convert from 'q' units:
1158 @example
1159 avconv -i src.ext -lmax 21*QP2LAMBDA dst.ext
1160 @end example
1161
1162 @end itemize
1163 @c man end EXAMPLES
1164
1165 @include eval.texi
1166 @include decoders.texi
1167 @include encoders.texi
1168 @include demuxers.texi
1169 @include muxers.texi
1170 @include indevs.texi
1171 @include outdevs.texi
1172 @include protocols.texi
1173 @include bitstream_filters.texi
1174 @include filters.texi
1175 @include metadata.texi
1176
1177 @ignore
1178
1179 @setfilename avconv
1180 @settitle avconv video converter
1181
1182 @c man begin SEEALSO
1183 avplay(1), avprobe(1) and the Libav HTML documentation
1184 @c man end
1185
1186 @c man begin AUTHORS
1187 The Libav developers
1188 @c man end
1189
1190 @end ignore
1191
1192 @bye